sound of rain at night upon the Velux window
taking the first strokes in the swimming pool before anyone else has disturbed the surface
glass. newly-opened bottle of chilled white wine. six o’clock.
Emma running to greet me at 4.30 pm
feeling of having shaved standing in the shower
buying new notebooks & the new notebooks themselves
Amazon.co.uk packages waiting in the post room
being up before everyone else – the quiet. the emptiness. stillness
coffee cup. coffee. a small square of chocolate
discovering a new writer and realizing a whole series of books which now await
starting to cook dinner and the sizzling aromas of onions and garlic
pens which sit well in the hand and flow well on the page (yet still resist)
good uncles and older men who could be uncles
women’s lips of a certain kind
moments of awkwardness and shyness from L and E
the ‘craic’ over lunch
a sudden sharp chill perfume to the air in autumn mornings
imaginative socks
understatement and irony
weekend naps
(good) hotel breakfasts
watching someone absorbed in something
funny and colourful children’s books
baby fingers and toes and smiles
clean sheets and pillow cases on the bed on Monday nights
the Lightness of Being of a good shit
the table laid: knives, forks, spoons, plates, glasses, napkins, a candle
driving. the car moving well. window open. music. sunlight. quiet roads. an avenue of trees
being called Daddy or Papa and knowing one is (now) someone called Daddy and – more strangely - Papa
memories of London in the late 70s. The Thames. The Tate Gallery. Hours out of school. Bookshops on Charing Cross Road. Upstairs on buses.
moments when you feel – deeply – despite a million other possibilities this, now, is how you want it to be
the timbre or frequency of certain voices
Chinese tea bowls. Cycladic heads.
writer’s notebooks, marginalia, drafts, compositional fragments, artist’s sketchbooks
Stan Laurel’s face and gesture of helplessness
being near the sea: walking, sitting, waking up, going to bed, the smell and sound of. wailing gulls. Cornwall. especially Cornwall
valley Welsh inflections and lilt
newly-trimmed fingernails
vigorous hair-brushing or fingers going through my hair
an impending sneeze staring into the sun
chopping onions, dicing carrots, preparing vegetables ... making soup – especially on Sunday mornings
walking through the woods, raining, just rained, leaves underfoot, damp earth smell, leaf rot, bonfires
sun on wooden floors mid-afternoon window ajar. faint breeze lifting the curtains
deft gestures of cafe staff: tug, wrist twist, bang, flick, gush of hot water and steam. bitter aromas.
lightness and poise of the dancer’s everyday movements. a way of sitting
voices on the radio at low volume while dozing
day trips (alone) to unfamiliar towns with the prospect of wandering, browsing, lunch ...
the jumble of dolls, hairgrips, shoes, Lego bricks, paper, crayons, boxes, marbles, girl things in the house
little chivalries
stars overhead on clear nights. Orion though the landing window coming downstairs in the morning
(acknowledgments to Lisa Jarnot & Larry Fagin)
Belgianwaffle invites any of its readers to supply their 'Fifty Things'
Monday, October 23, 2006
Sunday, October 15, 2006
The recipe for today
Take two handfuls of onions. Peel and slice into rings. Tip into a large thick-based saucepan and fry in a little olive oil - aiming to brown the onions but not burn them. Add a crushed clove of garlic and a peeled, diced potato.
When the onions have browned, add a tablespoon of brown sugar plus a litre (or more) of chicken stock. Sprinkle with thyme and season to taste.
Cover and allow to simmer for the best part of an hour.
While it is cooking, go upstairs and sort through your winter wardrobe - discovering which trousers now fit, sweaters and jackets you forgot you had, and throwing out any items of clothing which - admit it - you won't wear again.
The aromas from the kitchen will tell you when to descend. Cut the heat and let the pot stand while you go out for a relaxing coffee with the wife & kids.
Once more at the stove, lift out several ladles of the onions and set aside. Blitz what remains in the pot. Return the set aside onions. Light the gas and bring up to heat.
Serve with chunks of hearty brown bread.
It is a Sunday full of October sunlight. A chill is in the air.
It is a day for onion soup.
When the onions have browned, add a tablespoon of brown sugar plus a litre (or more) of chicken stock. Sprinkle with thyme and season to taste.
Cover and allow to simmer for the best part of an hour.
While it is cooking, go upstairs and sort through your winter wardrobe - discovering which trousers now fit, sweaters and jackets you forgot you had, and throwing out any items of clothing which - admit it - you won't wear again.
The aromas from the kitchen will tell you when to descend. Cut the heat and let the pot stand while you go out for a relaxing coffee with the wife & kids.
Once more at the stove, lift out several ladles of the onions and set aside. Blitz what remains in the pot. Return the set aside onions. Light the gas and bring up to heat.
Serve with chunks of hearty brown bread.
It is a Sunday full of October sunlight. A chill is in the air.
It is a day for onion soup.
Sunday, October 08, 2006
Down in France
Meaux (France). Sunday.
Early morning standing next to a river flowing down past the mill. Eight o'clock or so. Mist coming off the surface of the water. Sunlight swirling in the eddies of the current as it flowed over the rocks in the river bed. Thinking about the full moon last night low above the trees. Thinking about the Shamanistic practice of projecting the mind into the contact between elements.
Suddenly four young deer run out from behind the trees on the opposite bank.
***
Get home mid-afternoon eager to hear yesterday's Radio Four 'special' on Frank Zappa using the 'Listen Again' facility. Dreary & predictable. A scissors & glue effort from the archives with Germaine Greer making it all seem rather respectable (now there's an irony).
"A Smooth Operations Production" is credited with the programme. There you have it - there was nothing 'smooth' about Zappa. Lumpy gravy gets it about right.
Early morning standing next to a river flowing down past the mill. Eight o'clock or so. Mist coming off the surface of the water. Sunlight swirling in the eddies of the current as it flowed over the rocks in the river bed. Thinking about the full moon last night low above the trees. Thinking about the Shamanistic practice of projecting the mind into the contact between elements.
Suddenly four young deer run out from behind the trees on the opposite bank.
***
Get home mid-afternoon eager to hear yesterday's Radio Four 'special' on Frank Zappa using the 'Listen Again' facility. Dreary & predictable. A scissors & glue effort from the archives with Germaine Greer making it all seem rather respectable (now there's an irony).
"A Smooth Operations Production" is credited with the programme. There you have it - there was nothing 'smooth' about Zappa. Lumpy gravy gets it about right.
Sunday, October 01, 2006
And again
Sat on the (still unfinished) terrace in the October afternoon sun reading - again - 'Periplum and other poems' by Peter Gizzi (the Salt reissue).
Why do I keep opening up this volume again & again? Well ...
Why do I keep opening up this volume again & again? Well ...
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April Fool?
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Today, boys and girls, we’re going to look at ‘Song of the Chinchilla’ by Lisa Jarnot*. I liked the poem immediately – and I’ve given it to ...
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April Fool?