
“To arrange its dimensions the poem stretches (looking outwardly and inwardly), thus obtaining a plasticity that the flat, the basic words, what we call the “language of a poem”, demand, and further, depend on.”
and (the poem)
“arrives from tensions placed on the structure: variability of meter, fleeting moods of expression, mutability of consonants and vowels.”
(Barbara Guest, 'Forces of Imagination')
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