Saturday, November 29, 2008
Friday, November 21, 2008
The received wisdom - as I remember it during tutorials - was that Swinburne was 'unsound'. To put it another way: too much sound and too little thought. Which sounds to me as though what was meant by 'thought' in a poem might be worth rethinking?
'Poems and Ballads' arrived yesterday. It will interesting to see (& hear) what's actually going on in the poems. Zounds!
Tuesday, November 18, 2008
and here's another (the last one in the book):
The Complete Introductory Lectures on Poetry
To Ted Berrigan
It was when the words on the covers of books,
titles as true as false leaves led me to believe
in inviting the ultimate speculation of love –
that I could learn all of the subject –
that I first began to entertain what is sublime
Like a moth I thought by reading Jokes and
Their Relation to the Unconscious or Beyond
the Pleasure Principle or Eat the Weeds or
The Origin of the Species or even a book on
Coup d’Etats or The Problem of Anxiety I
could accomplish all the knowledge the titles implied
Science that there is often more
in the notes on the back of a discarded envelope,
grammar in the shadows slanted on the wall
of the too bright night to verify the city light
and then awakening, babies, to turn and make notes
on the dream’s public epigrams and one’s own
weaknesses, self that’s prone to epigrammatic ridicule
and to meditate on fears of all the animal dangers
plus memories of reptilian appellations for all
our stages of learning to swim at a past day camp
It is to think this or that might include all
or enough to entertain all those who already know
that in this century of private apartments
though knowledge might be coveted hardly anything
is shared except penurious poetry, she or he
who still tends to titles as if all of us
are reading a new book called The New Life.
(Bernadette Mayer)
another version of this poem prints a full stop after "implied". I prefer the slippage of sense allowed here by the absence of punctuation.
The Complete Introductory Lectures on Poetry
To Ted Berrigan
It was when the words on the covers of books,
titles as true as false leaves led me to believe
in inviting the ultimate speculation of love –
that I could learn all of the subject –
that I first began to entertain what is sublime
Like a moth I thought by reading Jokes and
Their Relation to the Unconscious or Beyond
the Pleasure Principle or Eat the Weeds or
The Origin of the Species or even a book on
Coup d’Etats or The Problem of Anxiety I
could accomplish all the knowledge the titles implied
Science that there is often more
in the notes on the back of a discarded envelope,
grammar in the shadows slanted on the wall
of the too bright night to verify the city light
and then awakening, babies, to turn and make notes
on the dream’s public epigrams and one’s own
weaknesses, self that’s prone to epigrammatic ridicule
and to meditate on fears of all the animal dangers
plus memories of reptilian appellations for all
our stages of learning to swim at a past day camp
It is to think this or that might include all
or enough to entertain all those who already know
that in this century of private apartments
though knowledge might be coveted hardly anything
is shared except penurious poetry, she or he
who still tends to titles as if all of us
are reading a new book called The New Life.
(Bernadette Mayer)
another version of this poem prints a full stop after "implied". I prefer the slippage of sense allowed here by the absence of punctuation.
Monday, November 17, 2008
This arrived today - and I wasn't even aware that it had been published yet. A great start to the week.
This one caught my eye - as it would any pedantic English teacher:
I used to write "alot" until I learned
It was properly "a lot", do we care if it's
A lot or alot? I always thought a lot
Meant a lot & alot alot, apparently my mistake
I send you a lot of love, a lot of love!
I allot to you my allotment of love totally
My pet theory (sorry) used to be dog food. However, I don't think they sell it over here in Belgium and still I see A LOT of ALOTs in essays.
Sunday, November 16, 2008
Saturday, November 15, 2008
I can't remember when I last took out a CD from the Mediatheque (a double at that) and loved EVERY single track - 44 in all.
Highlights: LilPUT, Pigbag, Life Without Buildings, Flying Lizards, Liquid Liquid (yum yum!), Bush Tetras, James White, 23 Skidoo (oh yes!).
Sheer joy, bounce, edge, in yer face, happening ...
My ears were elsewhere late 70s & early 80s. More's the pity.
Tuesday, November 11, 2008
Friday, November 07, 2008
Thursday, November 06, 2008
ROLLING UPON MY DAY
Rolling upon my day
With weakness in my vision
The separate event
The growing up to reason
Convinces me that
Something very special
Something rather fine
Something all together
Is totally divine
I feel it in my fingers
I feel it in my toes
I feel it in my breakfast
And even in my clothes
I feel it in my sofa
I feel it in my chair
I feel it in my toothbrush
And sometimes
Sometimes in my hair
Sometimes in my hair
I heard this first on a poor quality BASF C90 cassette one autumn evening in 1985. No track listing. Just a scrawled 'DOME' down the cassette card spine.
I bought this album - yes, vinyl - thinking it was the one:
It wasn't.
But I quite liked it all the same. Certainly it impressed a few people at parties. "You've got this ... wow!" (Actually, I think it was the cover that I liked most).
So, getting the CD containing Dome 1 & 2 in the post today was a 'These You Have Loved' moment. And I still think 'Rolling Upon My Day' is damn good.
(this post's for Lawrence - if you're out there)
So, getting the CD containing Dome 1 & 2 in the post today was a 'These You Have Loved' moment. And I still think 'Rolling Upon My Day' is damn good.
(this post's for Lawrence - if you're out there)
*
Other news: a malingering insidious cold which has sapped energy & the will to Blog. Frustrating.
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April Fool?
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Today, boys and girls, we’re going to look at ‘Song of the Chinchilla’ by Lisa Jarnot*. I liked the poem immediately – and I’ve given it to ...