Wednesday, July 30, 2008

The Afternoon of a Poem


an old afternoon and reading
some magazines and sandals
upon the terrace left awry in
shapes unmade by leaves the rain of
noon blue after thunder sky
in a garden of someone
I don’t know mowing lawns
and red geraniums
the cold soles of urgent feet
somewhere the air motions hairs
along your arms and down the road
somehow the sun is sliding now
the tree a line of heat among the cracks
of terracotta pots
the little lizard of the stones
and no ideas but astir
amidst the leaves where bikinis breeze
and birds make promises in trees
there on the horizon or some
Chinese white chemise
the buttons come undone
and mauve and green
compose this scene of
sudden sun and owed repose

*

Started playing around with this on Monday and chucked it to one side. This morning it all seemed to come together.

I'm beginning to learn how to be patient.

I keep twiddling with it - maybe best to leave alone?

6 comments:

walrus said...

Only you can be the judge of that, but it did all come together, it seems to me. Liked it.

I haven't really explored Lisa Jarnot, but I sense your enthusiasm so am persuaded to seek out her work. I sometimes wonder if she was an old flame of the Carpenter's or something -- or is it all purely Platonic? Forgive me such ignoble thoughts . . .

I'm not sure I'm a 'hardcore' Miles fan, but what would a softcore one be like, I wonder? But I know nothing of Erik T -- nor am I entirely enticed by your description of him as Euro Jazz -- one to be filed away at the very furthest recess of my brain, I think, where the lights don't work & the fire escape's broken, if you'll forgive the impertinence.

Actually, I'm still on that Dylan trip I told you about (have just ordered Bringing It All Back Home). Plus (and this is possibly even more embarrassing than Euro Jazz) I'm listening to Elvis -- the bloated 1970s Elvis live & sweaty & short of breath in Vegas, accompanied by a thumping brass section & gospel-style female backing singers who sound very sexy. I wonder if they were? Hey, it was Vegas. I know it's naff & one shouldn't belt out 'Please Release Me' while washing-up, unless you want to be mistaken for a middle manager from Crewe in a karaoke bar after one too many, but I do.

A bientot,

Le Morse (I even have my own code)

belgianwaffle said...

As you'll see I'm still fiddling with it. Trouble is, you make one change and it knocks out something else.

No - nothing scandalous about LJ & JJ - although purely Gnostic might be better than Platonic! I really do 'dig' the poems (a phrase she could get away with but I can't). 'Some Other Kind of Mission' was her first and very strange - I'm still baffled by it. 'Ring of Fire' might be the best place to start.

As for Truffaz - I got more out of the library & 'Mantis' is pretty good. The Penguin CD people are pretty sniffy about him - and I think you might find the pastiche of Miles irritating.

Kind of related to Dylan, I've been sitting in the garden reading Allen Ginsberg - and wondering how much I'd undervalued his writing. There's alo a superb account of hearing Creeley read which is going straight into Riddles of Form.

Elvis, however, ... unbearable. I'm sure I'm missing out on all sorts of good stuff but I'll live with it. Johnny Cash just about gets under the radar.

Doo wop, Johnny Guitar Watson, Howlin' Wolf ... now we're talking.

That said, my one concession to Country music is that it had to exist for Zappa to take the piss out of it. The same might be said about The King? (Washing up to Presley 'deterritorializes' it sufficiently perhaps ... ).

Cheers

The C

PS Morse????????

belgianwaffle said...

P.S.

Just thought - there's a vital antidote to your current listening: Billy Jenkins.

If you don't know him, check out CDs such as 'True Love Collection' (he even did 'Scratches of Spain' with suitably parodic cover). An absolutely key figure in the Belgianwaffle CD library.

Britain's nearest equivalent to Frank Zappa? Or the Tommy Cooper of Jazz? Neither label does him justice. Sui generis as they say.

http://www.billyjenkins.com/

will lead you to untold delights ...

walrus said...

I knew you’d be surprised...

Ah well, I never expected a Zappa fan to like Elvis – a red rag to a bull, perhaps! Is Elvis the anti-Zappa, Zappa the anti-Elvis? I wonder.

Yet I wouldn’t say Elvis is "unbearable" – there’s a self-destructive grandeur there, and if his songs are cheap & mawkish & sentimental, then as Dennis Potter once observed: “You know that cheap songs, so-called, actually do have something of the Psalms of David about them. They do say the world is other than it is. They do illuminate.”

So I’d personally stick up for a song like ‘Suspicious Minds’, say. (Oddly enough, at one point on the live recording of this song in 1970, there’s a Zappa-ish moment when Elvis sings ‘Stick it up your nose’.) But whereas Elvis wallows in sentiment, luxuriates in romantic twaddle, it seems to me that perhaps Zappa recoils from sentiment and in fact doesn’t trust emotions at all but is the ultimate cynic – cerebral rather than emotional (I say this as someone who quite likes where Zappa’s coming from). It got me wondering: did Zappa ever write a great love song? (Of course, you’d say he never wanted to.)

I haven’t yet managed to hear any tracks, but Billy Jenkins sounds intriguing. I’m wary of the whole ‘musical comedy’ tag (The Barron Knights, anyone?), but it can work. This opens a rich seam: have you heard anything by the Mighty Boosh or the Flight of the Conchords? I’m fond of both, I must admit. And on a related note, have you ever come across R. Stevie Moore? He’s very Zappa-ish. I’d recommend Nevertheless Optimistic as a starter kit.

Yes, I dismissed Ginsberg initially. But he’s an important poet, I think. My breakthrough was hearing him read ‘A Supermarket in California’.

Until next time,
Walrus (‘Le Morse’ in French, or so I thought...)

PS Doo wop I think I might pass, but Johnny Guitar Watson, Howlin' Wolf — absolutely.

Lute said...

Condense it to the essential. What is essential is your conundrum.

belgianwaffle said...

Hello 'Lute'

First, thanks for commenting & - as I see from your Blog - linking the LZ post.

I take your point - and (assuming LZ is a key figure for you) I see where you're coming from. It is a 'conundrum'. I'd be very grateful for any specifics - I think things get a bit slack around the "lizard".

I suppose I'm trying to maintain a lushness - partly because it goes with the moment. I'm also trying to work sounds as connecting logics (but maybe that doesn't come off). I'm also beginning to wonder whether every 'aesthetic' has its own buried assumptions and prejudices. Thus, the Objectivist urge toward reduction - does this deny other pleasures? (Not that I'm then arguing for plain sloppiness).

Anyway, if you'd like to reply I'd be pleased to read your suggestions.

Cheers

Jonathan

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