.

As Roland Barthes might say, here it is not only the juxtaposition of structures and materials (cathedral architecture/car/tree; stone/metal/vegetable) but also the cumulative metonymy (cobbled street, bistro 'au coin', tables & chairs, the light shining through the door pane, carte des vins = Paris) that fascinates. 

In short, just about everything is right with the image except that ... I am not there ...