Sunday, December 01, 2013



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As Roland Barthes might say, here it is not only the juxtaposition of structures and materials (cathedral architecture/car/tree; stone/metal/vegetable) but also the cumulative metonymy (cobbled street, bistro 'au coin', tables & chairs, the light shining through the door pane, carte des vins = Paris) that fascinates

In short, just about everything is right with the image except that ... I am not there ... 

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P.S. to previous post ... .... the 'formula' was in no way meant to imply any criticism of Dusapin's music. Quite the contra...